Featured Works:
The Boundary of Life is Quietly Crossed
The Aorta of an Archivist
American Seabed
Survival Does Not Lie in the Heavens
The First Time, the Heart (A Portrait of Life: 1854-1913)
Sisyphus’ Archivists
The Sky, Once Choked With Stars, WIll Slowly Darken
The Computer of Jupiter
Elegies for Proxima b
Study for Moon Flowers
Love, Before There Was Love
Unknown and Solitary Seas (Dreams and Emotions of the 19th Century)
Methuselah in Her Cradle
Sparrows Sing to an Indifferent Sea
Tear Stains on Ocean Waves
The Pulse Armed With a Pen (An Unknown History of the Human Heartbeat)
The Heart’s Knowledge concentrates on the most recent decade of Robleto’s creative practice, a period of deepening engagement with histories of medicine, biomedical engineering, sound recording, and space exploration. The exhibition organizes the artist’s conceptually ambitious, elegantly wrought artworks as a series of multisensory encounters between art and science. Included are the artist’s two recent video installations, which bring his extensive research on the quest to record the human heart and mind into a new visual and narrative realm. Each work seeks to attune viewers to the material traces of life at scales ranging from the intimate to the universal, returning always to the question: Does empathy extend beyond the boundaries of time and space? A 160-page, full-color catalog with supporting essays by Michael Metzger, Jennifer Roberts, and scholars from a variety of fields accompanies the exhibition.
The Heart’s Knowledge also marks the culmination of Robleto’s five-year engagement as Artist-at-Large in Northwestern University’s McCormick School of Engineering and Applied Science. This exhibition reflects the spirit of that enterprise, expanding conversations around ethics and empathy in scientific fields, and inviting us to look and listen to the life that surrounds us with curiosity and compassion.